Sunday, 25 September 2016

Reading The Title Sequences

GEORG STANITZEK

the purpose of title sequence copyright law, economics, certification of employment in the context of careers, movie title, enter- tainment, commercials, fashion, and art.  

one of the most complex cinematic forms - astounding number of forms tightly interwoven.

the title sequence arise from references to the film in question which use the film as a medium.
takes, cuts, sequences, situations, storylines, film characters, stars personae and genre.

jackie brown by quentin tarintino -1997 could be a remake of the title sequence  of 'the graduate'  by Mike Nichols- 1967.

1897 thomas edison furnished his films with a board which the company, the film and copyright was featured.

title sequences has to lead in to whats following.

David Bordwell notes "certainly at is in credit sequences that abstract cinema has had its most significant infulence upon the classical style"

The grass is greener ( maurice binder ) title sequences got better recieved than the actual film and thus he was named a title artist.

The pink panter (1963) title sequence by Friz Freleng created serial comic and television series.

Its playful nature and freedom sets the difference to other short cinematic forms (trailers)

because trailers are a form of advertising and announcing they portray 'this is the experience you will have'. title sequences don't have to do this as they are played when the film is about to show.

saul bass stands out to his own retrospective self-styliszation by promoting himself.

Joachin Kreck curated at a short film festival a 90 minute of title sequences by top designers.

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